基于文化传播与审美心理的中国古建筑屋顶曲线起源初探  

Discuss on the Roof Curve of Chinese Ancient Buildings Based on Cultural Transmission and Aesthetic Psychology

作　　者：王赫[1] 王炎松[2] 

机构地区：[1]华侨大学建筑学院 [2]武汉大学城市设计学院

出　　处：《华中建筑》2015年第11期140-143,共4页Huazhong Architecture

摘　　要：关于中国古建筑屋顶曲线的"天幕学说"早已有之,然而人多以为谬而不足论。屋顶曲线的形成有多方面的原因,而该文重点从文化传播和汉民族审美心理变化的角度对其进行探讨,其中包括对北魏自身发展因素的分析和释道两家的发展对文化的影响。The Canopy Theory about the origin of the roof curve of Chinese ancient buildings has long been existed, but it is thought to be nonsense by most of people. Although there are various factors for the formation of the curve, We particularly analyze the theory from the perspective of cultural transmission and the change of Chinese aesthetic psychology, the analysis on the development of the Northern Wei Dynasties and the cultural impacts exerted by the Buddhism and Taoism included.

关 键 词：屋顶曲线 天幕学说 时代特征 释道文化 

分 类 号：TU-86[艺术—艺术设计]