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作 者:李乐平[1]
机构地区:[1]广东海洋大学文学院
出 处:《社会科学》2015年第11期172-183,共12页Journal of Social Sciences
基 金:教育部人文社科基金项目"闻一多与古今中外作家比较研究"(项目编号:11YJA751038);广东省"高校重大科研成果培育计划"(项目编号:GD0U2013050334)的阶段性成果
摘 要:闻一多和梁实秋清华前后都推崇浪漫主义,归国后都转为古典主义倾向,但却始终贯穿着唯美主义追求。前者倡导新诗的三美理论,后者则坚守文学的人性价值。因为他们都是承继古今借鉴中外的优秀理论家,这才铸就他们留待文学史评说,并永远也说不尽的重大理论,且敢于引领潮流挑战权威。但闻一多最终又由唯美艺术追求者,转变为功利文学强调者,发展为时代的鼓手。梁实秋却始终坚守古典主义追求。即便在抗战烽火中,仍沉浸在《雅舍》,随想着他之《修养篇》等。他们的最终差异,最重要的是梁实秋没有闻一多那种"诗人主要的天赋是爱,爱他的祖国,爱他的人民"的高尚情操。其在阶级矛盾尖锐年代主张节制而反对阶级斗争,这就必然不合时宜。闻一多适应时代潮流需要,他虽然献出宝贵生命,但其生命不死,必将彪炳中华民族史册。Wen Yiduo and Liang Shiqiu praise highly romantic in Tsinghua university, turn for the classical tendency after returning to china, but they always keep the pursuit of aestheticism. The former advocates the theory of "Three Beauties" of modern poetry, the latter persist in the human value of literature. Because they are outstanding theorists inheriting from ancient times to the modern and from the Chinese and foreign, they forge their Significant theory that Spark controversy in the history of literature, dare to lead tide and challenge authority. But Wen Yiduo finally transform into the drummer of era from the aesthetic pursuit of art. Liang Shiqiu always adhere to the pursuit of classical. Even in the flames of war, he still immerse in cottage, conceive Cultivation. The ultimate difference between them is that Liang Shiqiu is not the kind of poet with Wen Yiduo whose noble talent is love, love his motherland, love his people. It is not conform to era that Liang Shiqiu view to control and combat the class struggle in the age of class conflict. Wen Yiduo adapt to the need of the trend of era, who even sacrifice their precious life, but he has the immortal life, which will surely shine in the annals of the Chinese nation.
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