身体政治和历史书写:《没有指针的钟》解读  

Body Politics and Historical Writing in Clock without Hands

作　　者：荆兴梅 朱新福[2] 

机构地区：[1]江南大学外国语学院,江苏无锡214122 [2]苏州大学外国语学院,江苏苏州215006

出　　处：《苏州大学学报（哲学社会科学版）》2015年第5期161-167,192,共7页Journal of Soochow University(Philosophy & Social Science Edition)

基　　金：国家社会科学基金项目"二十世纪美国文学的城市化主题"(项目编号:14BWW068);江南大学自主基金重点项目"二十世纪美国文学的城市化主题研究(项目编号:JUSRP51415A)的阶段性成果

摘　　要：《没有指针的钟》的以往研究,并没有涉及作品的身体政治和历史书写问题。基于身体意象和文化历史在小说中的重要作用,本文试图填补以上空白:首先,小说秉承麦卡勒斯对"怪诞性"的一贯偏好,以身体残缺隐喻精神困顿,并进一步指向奴隶制意识形态;其次,小说人物力图将自卑情结转化为优越情结,但遭受消费主义意识形态的物化,呈现出幻觉性的审美主义本质;再次,在文化批评视野下,该文本中的音乐和身体本能具有革命的颠覆性,它们都对理性主义和专制统治实行解构。Such themes as body politics and historical writing in the studies on Clock without Hands by Carson McC ullers have yet to appear. The paper argues that, firstly, grotesquery is employed in this novel to imply spiritual and ideological plights; secondly, alienated by consumerism as some sort of ideology, the characters try in vain to transform their complex of inferiority to that of superiority, thus showing illusory aestheticization; thirdly, the bodily desire is subversive since Marx's revolutionary politics and Freud's psychoanalysis are similar to each other in cultural criticism in that they both deconstruct rationalism and absolutism.

关 键 词：身体政治 历史书写 卡森·麦卡勒斯 《没有指针的钟》 意识形态 

分 类 号：I14[文学—世界文学]