论宋初白体七律诗风的演变  

A Study of the Change in the Bai Juyi Style on QilüPoetry in the Early Song Dynasty

作　　者：张立荣[1] 

机构地区：[1]山西大学国学院,文学院

出　　处：《文史哲》2015年第6期127-138,167,共12页Literature,History,and Philosophy

基　　金：国家社会科学基金项目“宋代七律流变史研究”(14BZW057);教育部人文社科青年基金项目“北宋七律发展流变研究”(10YJC751121)的阶段性成果

摘　　要：白体在晚唐五代开始流行,宋初为盛。分为两个层次,三种形态。第一层次为五代入宋的诗人,以徐铉、李昉为代表,其七律诗风为典型的闲适唱和型宫廷诗风,但徐、李二人亦有明显差异,产生差异的原因为二人所处的地域及入宋后的仕途经历不同;第二层次为太宗朝成长起来的新一代诗人,这一阶段,其七律诗风又表现出两种形态,一种为颇有气节的士大夫诗风,代表诗人为王禹偁、田锡、张咏;另一种为纯议论说理式诗风,代表诗人为宋太宗、晁炯。政权交替、社会环境、士人心态等是白体在晚唐、宋初流行的原因。之后,西昆体七律正是在对白体诗风写意说理的继承及对晚唐体七律技巧的探索中,融合李商隐的典实丽密而形成的,江西诗派七律则是对三者的吸收与改进。The Bai Juyi style came into vogue from the late Tang period and Five Dynasties,and flourished in the early Song Dynasty.The trend can be divided into two levels and three forms.The first level is the poets represented by Xu Xuan and Li Fang who entered the Song Dynasty from the Five Dynasties.Their poetic style on qilü(eight-line Chinese poem with seven characters to a line)is typical court style of leisurely poetry.But there is a striking difference between Xu and Li,both in their different geographical environment and official career in the Song Dynasty.The second level is the new generation of poets growing up in the reign of Emperor Taizong of Song,and their poetic style on qilüshowed two forms:one is the literati style of moral integrity with the representative figures of Wang Yucheng,Tian Xi,and Zhang Yong;and the other is the style of comments and reasoning with the representative figures of Emperor Taizong and Chao Jiong.The transition of regime,social environment,and mentality of literati and officials all contributed to the popularity of the Bai Juyi style.Thereafter,the Xikun style formed through inheritance of the Bai Juyi style and exploration of different techniques on qilüin the late Tang period,and blending them with Li Shangyin's elegant,natural,gorgeous,and detailed style.And qilüof the Jiangxi poetic school represents the confluence and improvement of all three.

关 键 词：白体 七律 诗体学 

分 类 号：I207.22[文学—中国文学]