体贴人情物理——认识戏曲文体特征的创作论视界  

Consideration for Human Feelings and Things——A Creation Horizon of Understanding Stylistic Features of the Chinese Opera

作　　者：朱忠元[1] 

机构地区：[1]兰州城市学院文学院,兰州730070

出　　处：《文化艺术研究》2015年第3期56-64,共9页Studies in Culture and Art

基　　金：国家社会科学基金重点项目"中国审美意识通史"(项目编号:11AZD052)的阶段性成果

摘　　要：在中国传统戏曲理论的进程中,始终伴随着对戏曲"体贴人情物理"本质特征的认识。结合元明清曲论家的言说和论述,再辅之以具体的文本分析,可以认识到"体贴人情物理"不仅是戏曲创作的目的和艺术追求,而且是戏曲创作的途径、方式和规律。从文献的角度厘清"体贴人情物理"的内涵与意义,对认识戏曲文体的特征、研究传统戏曲的创作理论具有重要意义,这是认识戏曲特征的创作论视界。The progress of traditional Chinese opera theory is always accompanied by the under- standing of ＂consideration for human feelings and things＂ as its essential characteristics. By citing the statements of opera researchers in the Yuan, Ming and Qing Dynasties, the paper makes a spe- cific textual analysis of them and argues that the consideration for human feelings and things is not only the objective and artistic ambition but also approach and law of opera creation. To clarify the connotation and meaning of the consideration for human feelings and things from the perspective of literature is significant for our understanding of the stylistic features of opera and studies on its crea- tion theories.

关 键 词：传统戏曲 体贴人情 创作追求 创作论视界 

分 类 号：J80[艺术—戏剧戏曲]