民国时期词集编年笺注之兴起及其意义  

Rise and Significance in the Annotation of the Chronology of Poems in the Period of the Republic of China

作　　者：甘松[1] 曲景毅[2] 

机构地区：[1]合肥师范学院文学院,安徽合肥230601 [2]南洋理工大学中文系,新加坡637332

出　　处：《求是学刊》2015年第6期130-137,共8页Seeking Truth

基　　金：国家社科基金项目"近百年词集编纂整理研究";项目编号:12CZW053;合肥师范学院"136"人才基金项目"民国时期词集编选与笺注研究";项目编号:2014136SKC02

摘　　要：清中叶之前,词集笺注一般重在注解语辞典故,清中叶至清末民初,词集笺注主要以疏证体的形式出现,重在人事考订,笺注转向注重知人论世,为编年笺注的兴起提供了重要基础。民国时期,随着新学术思想的影响与现代词学学科的建立,以龙榆生、夏承焘、唐圭璋、邓广铭等为代表的新一代学人将词集校勘、笺释、编年等内容融为一体,极大推动了词集编年笺注的兴盛与成熟,既体现了词集文献整理走向学术化与现代化的必然趋势,也标示着20世纪词别集整理的方向。Before Mid Qing Dynasty, annotation of the chronology of poems is focused in allusion.From Mid Qing Dynasty to the end, it appears as the rectification, focusing on people, commenting on people and event, which provides important basis for the rise of the annotation of chronology. In the period of the Republic of China, along with the establishment of new academic ideas and modern lexicon discipline, new group of scholars represented by LONG Yu- sheng, XIA Cheng- tao,TANG Gui-zhang and DENG Guang-ming combine proofreading of poetic collection, annotation and chronology together, propelling the prosperity and maturity of poetic collection annotation, which reflects the arrangement of poetic literature becoming academic and modern and the orientation of the arrangement of other collection for the 20 thcentury.

关 键 词：民国 词集 疏证 编年笺注 

分 类 号：I207.23[文学—中国文学]