历史话语背景化的女性书写——以《长恨歌》和《紫色》为例  

Historical Discourse as Background in Women Writing: "Ballad of Eternal Sorrow" and The Color Purple

作　　者：邱食存[1] 李雪梅[1] 

机构地区：[1]四川文理学院外国语学院,四川达州635000

出　　处：《四川文理学院学报》2015年第6期47-52,共6页Sichuan University of Arts and Science Journal

基　　金：四川省社科联外语专项"‘酷儿’理论视域下的黑人女作家作品中的女性身份诉求"(SC13WY18);四川省教育厅重点项目"酷儿理论纬度下的托尼.莫里森作品研究"(14SA0131)

摘　　要：《长恨歌》和《紫色》作为女性书写的经典文本,都将各自文化中的主流意识形态历史话语背景化了。在这一过程中,《长恨歌》借助中国古代文学中的悲剧意识传统,书写了以女主人公王琦瑶为代表的上海弄堂普通女性的日常生活状态,让悲剧的结局里透出一种绝望中弥散的生活欲望;以黑人作家反种族主义书写传统为背景,《紫色》采用"酷儿"理论策略,刻画了黑人少女茜莉如何在性意识上觉醒并确立自我完整人格的成长历程,但因为受到白人种族主义和男权主义的双重宰制,其大团圆结尾却更反衬出其悲剧性。As the classics of women writing, both ＂Ballad of Eternal Sorrow＂ and The Color Purple take historical discourses of their mainstream ideologies as the background of the novels. During the process, ＂Ballad of Eternal Sorrow,＂ with the help of tragedy tradition in Chinese ancient literature, draws a panorama of the everyday life of common Shanghai women, Wang Qiyao as the focus, and it is filled with life desire despite a tragic ending; The Color Purple, with black writers＇ anti- racist writing tradition as the background, uses ＂Queer Theory＂ in narrating how the black girl, Celie, is awakened on sexual consciousness and then obtains her wholeness of personality. However, under the double oppression of white racism and male chauvinism, the happy ending makes the process of black women＇s struggling so tragic.

关 键 词：历史话语 背景化 “酷儿”理论 女性书写 《长恨歌》 《紫色》 

分 类 号：I106.4[文学—世界文学]