舞蹈创作教学的“陌生化”——兼论新疆舞蹈创作的“瓶颈”突破  

Defamiliarization in Dance Creation and the Breakthrough of Xinjiang Dance Creation

作　　者：戴虎[1] 

机构地区：[1]新疆师范大学音乐学院,新疆乌鲁木齐830054

出　　处：《新疆艺术学院学报》2015年第3期97-101,共5页Journal of Xinjiang Arts University

基　　金：2013年度国家社会科学基金艺术项目"文化交流视野下哈密舞蹈文化研究"(13CB105);新疆师范大学自治区普通高校人文社会科学重点研究基地中亚音乐文化研究中心2014年度招标项目"仪式视野下哈密节日舞蹈文化研究"(XJEDU040914B01)资助阶段成果

摘　　要：本文以诗学"陌生化"为研究视角,以新疆近年来舞台舞蹈创作作品为分析个案,探讨了舞蹈创作创新的理论范式,分析新疆舞蹈创作经验和突破路径。认为新疆舞蹈创作"瓶颈"的突破在于审美范式的"陌生化",而舞蹈审美"陌生化"的本质在于选材突破,核心在于手法"留白",关键在于表演方式灵活,而归结点在于创作情感与理性的"主、动"和谐。This article discusses the theoretical models of dancing creation, and analyzes the creation experience and breakthrough methods used by Xinjiang dancing based on the case of the stage and dancing creative works appeared recently in Xinjiang, from the perspective of poetic defamiliarization. The article believed the breakthrough of the choke point in Xinjiang dancing creation is the defamiliarization of the aesthetic appreciation, and the essence of defamiliarization is the breakthrough of material selection, its core lies on ＂white space＂ ,the key point is the flexibility of the performance, and the principal point is the harmony of ＂Activeness and Movement＂ in the creation emotions and rafionalities.

关 键 词：新疆 舞蹈 创作 

分 类 号：J704-4[艺术—舞蹈]