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作 者:黄胜江[1]
出 处:《西北大学学报(哲学社会科学版)》2015年第6期56-61,共6页Journal of Northwest University:Philosophy and Social Sciences Edition
基 金:国家社会科学基金一般项目"乾隆朝文人剧作研究"(12BZW052)
摘 要:通过袁枚《随园诗话补遗·卷三》、赵眠云《心汉阁杂记·双星会》及剧本的文本细读,可推考清中叶剧作家司马章与青楼女子周麟官曾有一段不被世俗认可的情缘,司马章的二种剧作正是围绕此段悲情而自伤怀抱、隐怨吟哦的写心自喻之作。司马章这一写心自喻的创作心态与乾嘉之际的文化环境和剧坛风习密切相关,有多向度的文化成因:清中叶激涌的人文思潮对人之个体价值肯定的影响,明末清初以来写心剧风潮所带来的强烈个人化倾向之影响,南京地区繁盛的青楼戏曲文化之影响,宗法等级社会对青楼戏曲文化的压制偏见造成的影响。Through reading Yuan Mei's Suiyuan Shihua Addendum Vol. 3 and Zhao Miamyun's Xinhange Mis- cellanea, it can be concluded that the Mid - Qing Dynasty playwright Sima Zhang had an unrecognized love with the brothel Zhou Liyuan. Sima Zhang's two plays were works of his own story and image. Sima Zhang's writing mentality were closely related to the cultural environment and the tradition of drama in the Jia - Qing Period of the Qing Dynasty, so it has multi - reasons : the influence of the literary thought of the intellectuals on the personal values at that time; the trend of personalized writing since the late Ming Dynasty and early Qing Dynasty; influence of the brothel drama culture in the Nanjing area and the prejudice of social hierarchy towards brothel drama culture.
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