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作 者:周晶[1]
机构地区:[1]兰州交通大学艺术设计学院,甘肃兰州730070
出 处:《兰州交通大学学报》2015年第5期26-29,共4页Journal of Lanzhou Jiaotong University
摘 要:电视剧《大明宫词》以其近乎华丽的诗化语境为全剧的音乐生产及运用创造了极尽的徜徉空间。如此音乐的秉性和独立意象在其与影像的时空关系中得以纯粹。本文将以剧中反复呈现的主题乐段为例,将女性意象、哲思情怀等主题作为并非严格或约定俗成的分类,略观游弋于诗化语境与影像间的音乐意象及其形态,以期寻索影视音乐应当在怎样的创作思维中才能够保留音乐与身俱来的自由和纯粹。In the Chinese TV series Palace of Desire, through a flowery and poetic set-up, a strolling space is created for the production and application of the teleplay soundtrack, which purifles the spatio-temporal relationship between the music and the independent film images. Tak- ing the recurrent theme music of the teleplay as an example and not classifying its themes, such as female images and their philosophical thinking, in a strict and conventional way, this paper looks into the musical images and forms cruising between the poetry and the film images of the TV series. Finally, the paper reflects on how to preserve the freedom and purity of music itself in the process of music creation.
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