经典与模型——试论《断头台》与中国当代生态小说中的狼叙事  

The Classic And The Model——On Guillotine and the Wolf Narrative in Chinese Contemporary Ecological Novels

作　　者：龙其林[1,2] 

机构地区：[1]广州大学文学思想研究中心,广东广州510006 [2]复旦大学中文系,上海200433

出　　处：《湖南工业大学学报（社会科学版）》2015年第5期70-74,共5页Journal of Hunan University of Technology(Social Science Edition)

基　　金：国家社科基金后期资助项目"生态中国:文学呈现与跨文化研究"(13FZW051);广州市教育系统创新学术团队"文学经典与文学教育研究"(13C05);广州大学人文社科青年博士学术团队项目"生态灾害与中国当代文学书写"(201404XSTD)

摘　　要：对于中国当代生态小说中狼叙事寓意的由来,研究者一般将其归因于作家经历、传统文化的影响。如果把比较视野纳入到中国生态小说中的狼叙事研究中来,将前苏联文学经典《断头台》与之进行对照阐释,可以发现中国生态小说狼叙事中的母性美与狞厉美与《断头台》存在着相互呼应的关系。比较视野的运用,将突破以往中国生态文学研究中的某种思维定势,为生态文学研究开拓新的空间和思路。The wolf narrative in Chinese contemporary ecological novels is full of implied meanings,which re-searchers generally attributed to the writers’experience and the influence of traditional culture.If included in the comparative perspective,compared with the former Soviet Union literary classic Guillotine interpretation,it can be found that there exists an echoed relationship between Guillotine and the Chinese contemporary ecological novels in the motherhood beauty and ferocious beauty.The use of comparative vision will exceed the certain mindset of Chi-nese contemporary ecological literary studies in the past and it can explore new spaces and ideas in the Chinese contemporary ecological literary studies.

关 键 词：生态小说 《断头台》 狼叙事 母性美 狞厉美 

分 类 号：I207.425[文学—中国文学]