被容忍的装饰——管窥欧洲早期复调音乐形式的发展演变  

On Tolerated Decoration——Reviewing on the evolution and Development of Polyphony Music Form in Early Europe

作　　者：苏振华[1] 

机构地区：[1]湖南工业大学音乐学院,湖南株洲412000

出　　处：《湖南工业大学学报（社会科学版）》2015年第5期108-110,共3页Journal of Hunan University of Technology(Social Science Edition)

摘　　要：中世纪是欧洲文化重要的形成期。复调的产生对西方音乐意义重大,它是在宗教强权文化统治下,在宗教与非宗教音乐遗产的对抗与冲突中,且无法找到艺术上的表现渠道的情势下,教会音乐文化内部分化并被挤压出来的结果。其从早期奥尔加农到盛期经文歌形式的发展演变,是欧洲宗教与世俗音乐文化权利话语较量的集中体现。The middle age is an important era for the formation of European culture.The production of polyphony is of great significance to western music,which is come from confrontation and conflict between religious and non-religious music heritage under the power culture of religious rule.This art cannot be found on the performance channel,but squeezed out from church music by its internal differentiation,as well as the rights discourse concen-tration of Europe＆#39;s religious and secular music culture.

关 键 词：中世纪 基督教 复调音乐 

分 类 号：J608.5[艺术—音乐]