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作 者:钟琛[1]
出 处:《广西师范学院学报(哲学社会科学版)》2015年第6期34-38,共5页Journal of Guangxi Teachers Education University:Philosophy and Social Sciences Edition
基 金:四川省教育厅支助科研项目(13SA0038)
摘 要:将文本按历史大致划分为新文化运动至新中国成立、新中国成立至改革开放、20世纪80年代之后三个时期,分析不同历史阶段女性小说文本所反映出来的"爱"的匮乏与丰富、诉求与谬误。这些女性文本比较可靠地反映出社会文化以及婚恋家庭文化中"爱"的状况。研究发现,从绝大多数女性作者的思想情感到作品的故事内容,都反映出"爱"的匮乏和谬误。女性小说呈现出来的这一现象引人深思,有待重视并亟待改变。In this paper ,the 20th century novels will be divided into three parts according to differ‐ent time periods :from the New Culture Movement to the establishment of People’s Republic of Chi‐na ,from the establishment of People’s Republic of China to the Reform and Opening‐up period ,and the period after the 1980s .In these three historical periods ,female novels have given various represen‐tations on love :the deficiency vs .abundance ,and pursuit vs .falsehood .All these novels have reliably mirrored the love condition in social culture as well as marriage and family culture .This paper shows that most female w riters’ emotion or story content have reflected the deficiency and falsehood of love . This research result deserves careful thought and this phenomenon needs to be changed .
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