近现代中日文学的交错空间——兼论伪满文坛日本文人的创作  

Between Modern Chinese Literature and Japanese Literature——Japanese Literati on Manchuria Literary

作　　者：祝力新[1] 

机构地区：[1]东北师范大学日本研究所,吉林长春130024

出　　处：《东北师大学报（哲学社会科学版）》2015年第6期146-152,共7页Journal of Northeast Normal University(Philosophy and Social Science Edition)

基　　金：教育部人文社会科学研究青年基金项目(15YJC770053);东北师范大学哲学社会科学校内青年基金项目(13QN038);东北师范大学哲学社会科学青年团队基金项目(1409048)

摘　　要：中国近现代文学与日本"昭和文学"的际会,在时间与空间的双重概念上构筑了伪满文坛。中日文学研究界对伪满文学的归属认定虽然不尽相同,但显而易见的是,伪满文坛上活跃的中日两国文人以及他们使用汉语和日语等多语种进行的创作,共同勾绘了近现代中日文学之间的一个交错空间。本文聚焦在伪满文坛活跃的日本文人,以汇聚中日两国作家作品的大东亚文学者大会为线索,通过解读日本文人对该大会文艺性质的理论批判,兼论日本作家在伪满洲国的小说创作,透视作家创作意图在作品中的投射,揭示伪满文坛日本文人在实质上对战争展开的抵制和对日本侵略行径的批判。Chinese modern literature met Japanese ＂Showa literature＂,in the concept of time and space,which built Manchuria literary.The literature research community between China and Japan to attributable identified of the Puppet Manchukuo＇s literature is so different.But it is apparent that Chinese and Japanese literati on Manchuria literary,who built a literary creation between modern Chinese literature and Japanese literature together.This article studies Japanese literati on Manchuria literary,and it clues the collection of Chinese and Japanese writers and their works which were General Assembly for Literary Workers on Greater East Asia,and it read Japanese literati＇s literary criticism of the conference.In the meantime,this article talks Japanese novels of writers in the puppet state of Manchukuo,and it analyzes the intentions of writers,and reveals Japanese literati on Manchuira literary,who were against war and aggression in essence.

关 键 词：近现代中日文学 伪满文坛 大东亚文学者大会 《满洲评论》 

分 类 号：I206.6[文学—中国文学]