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作 者:李亚希[1]
出 处:《白城师范学院学报》2015年第4期84-87,共4页Journal of Baicheng Normal University
基 金:安徽省高校人文社会科学研究重点项目(SK2014A399)
摘 要:本文以艺术歌曲的钢琴伴奏为研究对象,通过对艺术歌曲钢琴伴奏写作手法的探析,分析以"水韵"为背景的艺术歌曲在艺术创作过程中独特的艺术构思及技法手段。侧重中国水韵艺术歌曲创作,探寻"水韵"艺术的钢琴伴奏在形式上对音乐意境塑造和诠释的特殊表现方式,探求"水韵"与艺术歌曲伴奏在"情"与"形"之间的相和相融的表现意义,从演唱者的视角揭示钢琴伴奏在艺术歌曲演唱中独特的艺术审美内涵。Taking the piano accompaniment to the art songs as research object,the thesis discusses the writing technique of piano accompaniment to art songs. It analyzes the unique artistic conception and techniques of composing art songs with melody of running water as background. It emphasizes the composition of Chinese art songs with melody of running water,explores the special modeling and interpretation of music artistic conception through the piano accompaniment to those songs,probes the meaning of harmonious combination of 'emotion'and 'form',i. e. those songs and their piano accompaniment,and reveals the unique artistic and aesthetic connotation of piano accompaniment in singing art songs from the perspective of singers.
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