粤韵园音,气韵相合——粤剧艺术博物馆创作理念  

Consistency of Rhythmic Vitality Between the Cantonese Operaand Gardens:the Design Proposal of the Art Museum of Cantonese Opera

作　　者：郭谦[1] 李晓雪[1] 

机构地区：[1]华南理工大学建筑学院,亚热带建筑科学国家重点实验室

出　　处：《南方建筑》2015年第5期118-123,共6页South Architecture

摘　　要：粤剧艺术博物馆以中国传统艺术领域的重要概念"气韵"作为核心设计追求,注重对粤剧艺术及岭南园林艺术精髓的深入挖掘,主动在设计中追求与粤剧艺术在精神内涵及园林建筑表现上的气韵相合,将建筑实体转化为园林空间,造园、建筑、筑山理水皆以"气韵"为设计指导,从而力图带动全园"气韵"生动,达成岭南两大文化标志跨越时空的当代对话。The Art Museum of Cantonese Opera uses the important concept of Chinese traditional art ＂Rhythmic vitality （QiYun）＂ as the design spirit. The design proposal borrows the essence of the art of Cantonese opera and Lingnan garden, utilizing it in spiritual meaning and building performance between Cantonese Opera and Lingnan garden, and translating the construction entity into the garden space. Its gardening, building, hill making and water design all use ＂Rhythmic vitality （QiYun）＂ as a guideline, achieving a contemporary dialogue across time and space of the two major cultural symbols in Lingnan

关 键 词：粤剧艺术 岭南园林艺术 气韵相合 

分 类 号：TU242.5[建筑科学—建筑设计及理论]