中国画构图与西方平面构成的“同”与“异”  

The similarities and differences between the composition of Chinese painting and the western plane of the painting constitutes

作　　者：连晓红[1] 

机构地区：[1]鞍山师范学院美术学院,辽宁鞍山114007

出　　处：《鞍山师范学院学报》2015年第4期69-73,共5页Journal of Anshan Normal University

摘　　要：中国画的构图讲究置陈布势、经营位置,同西方的平面构成相比既有其自身的艺术特点,又有许多共同之处.在不同的历史文化背景下,中国画的构图崇尚天人合一、主观意象的艺术境界;西方的平面构成寻求元素组构、理性抽象的设计理念.本文是从中国画构图与西方平面构成的两种艺术角度出发,阐释艺术构成的相同与相异,通过经典作品的解读阐释构成的造型理论和形式法则,体会西方平面构成对现代中国画创作的影响与作用.The Chinese painting values the overall arrangement and the position of each part,which both has its own features and has some similarities with western plane of the painting constitutes.Under the different his-torical culture,Chinese painting advocates the integrity of human and nature and subjective image.While the western painting seeks the composition of all elements and the objective and abstract designing concept.This paper starting with the two artistic angles,discusses the similarities and differences and by interpreting the clas-sical works explaines the theroy of mould and the law of form and helps to understand the western influence and function on Chinese painting.

关 键 词：中国画 构图 平面构成 

分 类 号：J232.9[艺术—美术]