中国文学民间文化批评导论  

Introduction to Folk Culture Criticism of Chinese Literature

作　　者：赵德利[1] 

机构地区：[1]宝鸡文理学院文学与新闻传播学院

出　　处：《社会科学》2015年第12期169-177,共9页Journal of Social Sciences

基　　金：国家社科基金项目"民间文化批评的理论与方法"(项目编号:11FZW053)的阶段性成果

摘　　要：民间文化批评是基于文学创作的民间化倾向,运用审美的民间理论,对文学现象进行分析评价的批评方法。陈思和的"小传统"与"民间"理论最先运用于中国当代文学批评,引发了本土文学民间文化批评的热潮。王光东等的研讨为构建民间文化批评理论方法起到积极的推动作用。作为开放的批评理论体系,文学人类学、文艺民俗学、文学社会学等均为民间文化批评借鉴融合。"民间"具有世俗民间和审美民间多重文化意蕴内涵,民间立场、民间文化视角有益于作家对社会生活文化的多元认知,文学的民间精神作为一种审美底蕴与价值取向,使作品富有自由活力和哲理情思。Based on the folk tendency of literary creation and adopting aesthetic folk theory, folkcultural criticism is a critical method used for analyzing and evaluating literary phenomena. Theintroduction of Chen Sihe＇ theories of ＂Little tradition＂ and ＂the Folk＂ into criticism of contemporaryChinese literature triggered a boom in local folk culture criticism. Researches of critics like WangGuangdong positively promoted the construction of theoretical methods of folk culture criticism. As an opencritical theory system, folk euhure criticism provides inspirations for the former. ＂The folk＂ has a multiplecultural connotations, such as secular folk and aesthetic folk. The folk stance and folk cultural perspectiveare beneficial for writers＇ multiple cognition of social and cultural life. As an aesthetic heritage and a valuesystem, folk spirit of literature enriches literary works with vitality and philosophical insights.

关 键 词：民间文化 文学批评 理论方法 

分 类 号：I206.7[文学—中国文学]