论中国古典诗歌对西方意象诗歌创作与理论的影响  

An Analysis of Chinese Classical Poetry's Influence on the Creation and Theory of Western Imagery Poetry

作　　者：潘利锋[1] 

机构地区：[1]湖南科技学院外国语学院

出　　处：《社会科学》2015年第12期178-185,共8页Journal of Social Sciences

摘　　要：在中国古代诗歌中,意象是至为重要的,即以"象"为逻辑起点,把整个艺术表现过程,当作以"意"与"象"的构造为中心的表现过程,把"意象俱足"作为普遍的艺术追求。庞德、爱米·洛威尔、苏珊·朗格代表着美国文坛上关于诗歌意象的播种者、开掘者和收获者,他们的辛勤劳动和学术成果与中国古典诗歌结下了永恒的姻缘。In Chinese ancient poetry, image was the most important. Based on the object as itslogic, it regards the whole artistic expression as the expression centered on the creation of images. Thecomplete and perfect images were its popular artistic pursuit. Zara Pound, Amy Lowell and Susan Langerwere the spreader, developer and reaper of the imagist poetry in American literature. Their hard work andliterary achievement were closely connected with Chinese classical poetry.

关 键 词：中国古典诗歌 意象理论 诗歌创作 

分 类 号：I206.2[文学—中国文学]