中日闺怨诗的宏观比较  

A Macroscopic Contrastive Study of Chinese and Japanese Poetry of Boudoir Sorrow

作　　者：米丽萍[1] 米丽英[2] 

机构地区：[1]韶关学院外国语学院,广东韶关512005 [2]上海财经大学外国语学院,上海200433

出　　处：《五邑大学学报（社会科学版）》2015年第4期36-41,91,共6页Journal of Wuyi University(Social Sciences Edition)

摘　　要：日本古代诗歌是中日文化交融的结晶。比较中日闺怨诗的创作背景、题材范围、创作视角以及常用意象等,发现两者各有特色:中国闺怨诗集中反映了皇权至上、男尊女卑的社会现实,日本闺怨诗则多囿于歌娱抒情。这些差异与两国的历史文化、传统习俗以及诗歌创作的审美理念关联密切。Ancient Japanese poetry is the crystallization of Chinese and Japanese cultural integration. A comparative study of the Chinese and Japanese poetry of boudoir sorrow in the aspects of creation background,subject scope,creation angle of view and the images commonly used reveals their features. Chinese poetry of boudoir sorrow reflects the supreme imperial power and the social reality that women were inferior to men in social status while its Japanese counterpart was confined to entertainment and lyric emotion.These differences are closely related to the two countries' historical culture,traditional customs and the aesthetic concepts on poetry creation.

关 键 词：和歌 汉诗 闺怨诗 物哀 幽玄 

分 类 号：I609.3[文学—其他各国文学]