《风流院》、《临川梦》与“临川四梦”  

Fengliu Yuan, Linchuan Meng and the “Four Plays of Dreams”

作　　者：叶长海[1] 

机构地区：[1]上海戏剧学院戏文系

出　　处：《戏剧艺术》2015年第6期4-13,共10页Theatre Arts

基　　金："上海市一流学科A类戏剧与影视学学科建设项目"的阶段性成果

摘　　要：汤显祖的"临川四梦"传播广远,影响巨大。历来还流传许多有关"四梦"的演员及读者的故事,令人感叹。其中太仓俞二娘及扬州小青的故事尤为感人。传奇剧本《风流院》与《临川梦》让剧作家汤显祖与其剧本读者及剧中人物同时登场。《临川梦》犹如一部"汤显祖传记",以写实为主;《风流院》则是一部"汤显祖神话",以想象为主。这两个汤显祖,寄寓了传奇作者对历史人物精神不同侧面的理解。在这两部传奇的想象剧情中,"寻找"是一大主题。读者寻找作者,剧中人寻找剧作家,这是《风流院》、《临川梦》的一大创意,在中国戏曲史上留下了永远的佳话。The ＂Four Plays of Dreams＂ by Tang Xianzu have a wide and huge influence. There are many moving stories about actors and readers of the ＂four dreams＂, including the touching accounts of Yu Erniang in Taicang and Xiaoqing in Yangzhou. Fengliu Yuan （The Garden of Love） and Linchuan Meng （A Dream in Linchuan） are two Chuanqi plays, which present Tang Xianzu the playwright on stage with his readers and characters. Linchuan Meng is similar to a biography of Tang Xianzu, exploring his realism; Fengliu Yuan is more like the ＂myth of Tang Xianzu＂ which resorts mainly to imagination. Yu Erniang and Xiaoqing give their interpretations featuring different spiritual aspects of Tang Xianzu. ＂Search＂ is a major theme in the plot of both plays and the readers are searching for the writer and other characters for the playwright. This demonstrates the originality of Fengliu Yuan and Linchuan Meng, for which they are known for.

关 键 词：汤显祖 风流院 临川梦 小青 俞二娘 寻找剧作家 

分 类 号：J80[艺术—戏剧戏曲]