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作 者:刘宁[1]
机构地区:[1]上海戏剧学院表演系
出 处:《戏剧艺术》2015年第6期104-110,共7页Theatre Arts
摘 要:戏剧里那些反映日常生活中可以"预期"的行动,为人物生活线索;戏剧情节发展变化的行动(角色不可"预期"的行动),为情节发展线索。这两条行动线索在表演的过程中相互交织、相互矛盾、相互作用,共同完成剧中人物的舞台行动,在实际的运用中会出现平行、重合、交叉、归一四种状态。这四种状态不可能是固定不变的,它们常常是随着戏剧情节的发展、规定情境的变化、人物关系的转换等因素的变化,时而平行,时而重合,时而交叉,时而归一并循环往复,不断地变化着组合排列的方式。演员要了解并掌握这些舞台行动的规律,利用人物生活线索与情节发展线索的相互变化关系,让戏剧人物的思想情感、性格特征在舞台行动中自然地流露出来。The "predictable" actions that resemble everyday life in drama are the thread of characters' life; the actions that cause movements and changes to the plot (the "unpredictable" actions) are the thread of plot development. During performance, these two threads are interwoven, contradictory and interactive, completing the stage actions of the characters. In practice, their relationship takes four forms: paralleling, overlapping, crossing and merging. The forms are not fixed, but change with the development of the plot, setting and relationships among the characters. Actors must know the principles of actions on stage and the interaction of characters' life and the development of the plot, in order to present the emotions and personality of the character.
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