民初市民作家的文学观念及其意义  

The Chinese Urban Literature Writers' Literary Concept and Its Significance in the Early Republic of China

作　　者：付建舟[1] 

机构地区：[1]浙江师范大学人文学院,浙江金华321004

出　　处：《河南大学学报（社会科学版）》2015年第6期6-12,共7页Journal of Henan University(Social Sciences）

基　　金：国家社科基金项目"<小说新报>与中国文学的内源性变革研究(1915-1923)"(12BZW073)阶段性成果

摘　　要：与五四新文学家激进的文学观念相比,民初市民作家的文学观念则比较保守,从内容上看,他们注重道德救世的社会功利观,强调文学的暴露功能;从艺术上看,他们追求消闲娱乐的艺术旨趣,提倡亦庄亦谐的艺术风格。但其并非一成不变,虽然其变化缓慢而稳健。他们的文学观念是文学的常态,是中下层社会意识形态的反映,具有与政治意识形态同样的社会功效,对社会的发展可谓功不可没。The literary concept idea of Chinese urban literature writers is rather conservative in the early Republic of China,while the literary concept of the Chinese May Fourth New literature writers is rather radical.In content,the Chinese urban literature writers attached much importance to the social utilitarian view of moral salvation and the exposure function of literature.In art,they advocated the seriocomic style with the pursuit of artistic purport of entertainment and leisure.Their literary concept is not immutable and frozen,but with a slow and steady change.So their literary concept is the normal state of literature and the reflection of the ideology of the middle and lower classes of society with the same social effect as the political ideology.They have made indelible contributions to the development of society.

关 键 词：民初 市民文学 市民作家 文学观念 

分 类 号：O206.6[理学—数学]