殖民的伤痕:战后沦陷区作家的生存环境及其创作、生存策略  

Colonial Scar:The Survival Environment,the Creation and the Survival Strategies of the Writers in the Japanese-Occupied Areas after the World War Two

作　　者：陈言[1] 

机构地区：[1]北京市社会科学院文化研究所,北京100191

出　　处：《哈尔滨工业大学学报（社会科学版）》2015年第6期78-81,共4页Journal of Harbin Institute of Technology(Social Sciences Edition)

基　　金：辽宁省教育厅2012年社会科学研究一般项目"东北沦陷区抗战戏剧研究"(W2012166)

摘　　要：中华人民共和国建立之后,在历次的政治运动中,带有原罪身份色彩的沦陷区作家为了在新的社会组织结构中找到主体认同,他们在文学创作过程中改换姓名、拥抱新政权、放弃个性色彩而创作适合社会需要的作品、修改沦陷时期的作品。他们还通过艰苦的劳动来"赎罪",主动坦白、检讨。吊诡的是,"文革"结束之后,沦陷区作家对沦陷时期自身的历史极力掩盖。这说明政治运动中的"坦白"更多地出于保全性命的考虑,它并不触及灵魂的伤痛,因此无法达到自我否定的效果。这是人性的弱点,也是殖民留下的伤痕。After the People＇s Republic of China was founded,the writers who had lived in Japanese-occupied areas were thought to be bearing ＂original sin＂.In order to establish their new subject identity,these writers had to alter their names,waive their individuality,rewrite their old works or write something new to meet the expectation of the new authority.They seemed to have confessed sincerely,and tried to expiate their sins with hard physical labor.What paradoxical is,after the Cultural Revolution,they did their best to conceal their real experiences in Japanese-occupied time.This was thought to be evidence that their confessions had not stemmed from their soul.They confessed only for surviving through the political movements,and their confessions do not lead to self-denial.This phenomenon reveals the human being＇s vulnerability and the colonial scar.

关 键 词：抗战胜利 沦陷区 主体认同 殖民的伤痕 

分 类 号：I206.6[文学—中国文学]