创意空间与地方政府:广州红专厂的案例分析  

Creative Spaces and the Local State in China: the Case of Guangzhou's Redtory Art+ Design Factory

作　　者：菲利普.苏克 迈克尔.韦伯 陈忠暖[2] 王帅[2] 

机构地区：[1]德国汉堡大学人文地理学系 [2]华南师范大学地理科学学院

出　　处：《城市观察》2015年第6期29-39,共11页Urban Insight

摘　　要：创意空间被视为中国向知识经济转型中突出的成果。本文旨在建构分析广州市创意空间发展的理论框架,分析地方政府在其中的复杂角色,并以红专厂为案例进行深入分析。红专厂经历了一条独特的发展路径:最初它只是看作一个创意空间,但很快发展成中国南部地区一个著名的创意园区,现在它却又面临着被拆除的威胁。本文分析采用了郑洁建构的"企业化政府"概念。结果表明:(1)掌握关键资源的个人主导政府决策现象在地方政府仍然高度盛行。尽管创意空间的管治框架在逐步演变,这在市一级政府中仍然发生。(2)现阶段,创意空间的制度化发展框架不仅没有完成,而且显得破碎化。(3)案例研究也表明企业化的地方政府及其政策制定都高度依赖上级政府。Creative spaces can be regarded as significant visible outcomes of China＇s transition towards a knowledge-based economy. The aim of this paper is to analyze the process of building a framework to develop creative spaces in the southern mega-city Guangzhou and to provide further insights into the complex aspects of the local state. To this end, it presents an indepth study of Guangzhou＇s Redtory Art ＋ Design Factory. Redtory witnessed a unique development path： while it was initially merely tolerated as a creative space, it soon developed into one of the most prominent creative zones in southern China; presently, however, it is threatened with demolition. This analysis employs the concept of the ＂entrepreneurial state＂ developed by Jane Zheng. The results of the analysis suggest that a high degree of personalized coordination of key resources still prevails at the local level. This is nonetheless happening in spite of the gradual evolution of a regulatory framework governing creative spaces at the municipal level. This indi＂ cates that the institutionalization of creative spaces is in no way complete, but rather fragmented. Ultimately, this case-study indicates that the entrepreneurial local state and its policy-making are highly dependent on higher levels of the party-state.

关 键 词：创意空间 经济升级 地方政府 

分 类 号：G124[文化科学]