主体的反抗与建构——图画书《怪物史莱克》的多重解读  

The Rebellion and Construction of Subject:A Multiple Interpretation of the Picture Book Shrek

作　　者：钱淑英[1] 

机构地区：[1]浙江师范大学人文学院,浙江金华321004

出　　处：《浙江师范大学学报（社会科学版）》2015年第5期16-21,共6页Journal of Zhejiang Normal University(Social Sciences)

摘　　要：图画书《怪物史莱克》和同名动画电影一样,通过对传统童话的颠覆、解构和戏仿,呈现出强烈的后现代风格。但它与电影相比,拥有着更加激进的创作理念和更为开放的文本空间。借助文本细读、版本对照和互文性分析,可以在情节结构、作家观念、细节描写等多个维度,解读出图画书《怪物史莱克》的后现代思想及其深层意涵。Sharing the name of the animated film,the picture book Shrek shows a strong postmodern style through the subversion,deconstruction and parody of traditional fairy tales. However,it has a more radical creative idea and more open space for text. In light of such dimensions as the plot structure,writer’s concept and detail description,this paper will interpret the postmodern thinking and the deeper meaning of the picture book,via the way of text reading,version control and inter-textual analysis.

关 键 词：后现代 激进 反抗 主体性 

分 类 号：I106.8[文学—世界文学]