大众娱乐文化视野下明清江南戏曲艺术的繁荣  

On Prosperity of Theatrical Art in Southern Yangtze River in the Ming and Qing Dynasties from the Perspective of Mass Entertainment Culture

作　　者：冯保善[1] 

机构地区：[1]江苏第二师范学院中文系

出　　处：《浙江艺术职业学院学报》2015年第3期8-16,32,共10页Journal of Zhejiang Vocational Academy of Art

基　　金：2013年度江苏省社科基金重大项目<江苏戏曲文化史研究>的阶段性成果。(项目编号:13ZD008)

摘　　要：明代中期以后崛起的大众娱乐休闲文化,与同时期兴起的物质享乐风气一致,其中心均集中在江南。成化年间是娱乐休闲文化发展的一个转捩点。明清江南戏曲艺术的异常繁荣,与江南经济的发展,商业化的加剧,大众消费能力的提升,人们不再满足于生存这一基本需求,开始追逐享乐性消费,广阔的消费市场,有着重要的联系。以大众娱乐休闲文化视角审视古代戏曲艺术的本质,也会取得新的认识。The mass entertainment culture after the mid-Ming dynasty concentrated in the Southern Yangtze River,along with the atmosphere of material pleasures in the same period. The Chenghua reign is a turning point of the development of recreational culture. The theatrical art in Southern Yangtze River in the Ming and Qing dynasties was prosperous due to the economic development in the South, intensified commercialization, the raise of public consuming power and people ＇s pursuit of hedonic consumption beyond basic survival needs as well as the vast consumer market. There will be a new understanding of the nature of the traditional Chinese opera from the perspective of mass entertainment culture.

关 键 词：江南戏曲艺术 成化年间 大众消费 大众娱乐文化 

分 类 号：J809[艺术—戏剧戏曲]