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作 者:明光[1]
机构地区:[1]扬州大学文学院
出 处:《浙江艺术职业学院学报》2015年第3期17-26,共10页Journal of Zhejiang Vocational Academy of Art
基 金:2013年度江苏省社科基金重大项目<江苏戏曲文化史研究>的阶段性成果。(编号:13ZD008)
摘 要:清代扬州盐商的戏剧活动,始于初期、盛于中期,十余部盐商家班贯穿其中;某些盐商乐于欣赏昆曲清唱,并能题咏剧本、演出,显示出较高文化修养;更有盐商参与编创剧本或为剧本创作提供条件。因此,乾隆盐商家班的兴起,是康熙盐商戏剧发展的必然;乾隆盐商家班逐步走向社会演出,与盐商的开放心态密切关;盐商深度参与戏剧活动,是清代士商精神交流、深层互动的生动表现。The drama activities of salt merchants in the Qing dynasty began in the early Qing and flourished in the middle Qing dynasty. There were more than ten theatrical troupes during that time. Some salt merchants liked to appreciate the singing of kunqu opera,and write inscriptions for scripts and performances,showing high cultural accomplishment; some salt merchants participated in the creation or provided conditions for the creation of scripts. The rise of the theatrical troupes of salt merchants in the Qianlong reign was the inevitable development of those in the Kangxi reign. The performances of theatrical troupes of salt merchants in the Qianlong reign in the society were closely related with the open mind of salt merchants. The deep involvement of salt merchants in drama activities was a vivid behavior of the spirit exchange and deep interactive between literati and traders in the Qing dynasty.
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