清末改良主义者对传统戏曲的提倡和批判及其现代性诉求  

Criticism and Affirmation to Traditional Chinese Opera from the Reformists in the Late Qing Dynasty and the Appeal of Modernity

作　　者：乔丽[1] 

机构地区：[1]河南大学文学院

出　　处：《浙江艺术职业学院学报》2015年第3期38-43,82,共7页Journal of Zhejiang Vocational Academy of Art

基　　金：教育部人文社会科学重点研究基地重大项目"中国近现代社会转型与河南戏剧的变革"阶段性成果(项目编号:11JJD750022);河南大学青年人才科研种子基金<清代禁毁戏剧研究>成果之一

摘　　要：清朝末年的资产阶级戏曲改良运动从现代性诉求出发高度肯定了戏曲的社会地位和巨大功能,基于变革社会、救亡图存的进步要求,在肯定戏曲的同时又从启蒙现代性出发批判了传统戏曲思想内容的迂腐俗套,从审美现代性出发既肯定了戏曲的特殊艺术魅力又批判了戏曲审美形式的刻板僵化,给我们留下戏曲与社会关系的百年思考。At the end of the Qing dynasty,the bourgeois conducted an opera improvement movement. On the appeal to modernity,the opera＇s social status and tremendous function were highly affirmed. Based on the transformation of the society and the advancement of salvation,the movement put forward criticism to the pedantic content from enlightenment modernity. And from the aesthetic modernity,the improvement movement affirmed the special artistic charm of drama and criticized the rigid aesthetic form. This movement makes us think about drama and social relations.

关 键 词：戏曲改良 现代性诉求 启蒙现代性 审美现代性 

分 类 号：J802[艺术—戏剧戏曲]