宗白华与魏晋南北朝美学研究  

Zong Baihua and the Studies of Aesthetics of Wei, Jin and Northern& Southern Dynasties

作　　者：顾春花[1] 

机构地区：[1]江苏开放大学通识教育学院,江苏南京210036

出　　处：《井冈山大学学报（社会科学版）》2015年第6期91-94,共4页Journal of Jinggangshan University(Social Sciences)

基　　金：教育部人文社科项目"戏曲批评术语学术生命史研究"(项目编号:11YJC751123)

摘　　要：宗白华在《论<世说新语>和晋人的美》和《中国美学史中重要问题的初步探索》中着重强调了魏晋南北朝美学的重要性。在宗白华的美学体系中,魏晋南北朝美学思想的最高美学理想是"芙蓉出水",这种美学理想具体表现为向内——对人自身的关注,向外——对自然山水的挖掘和对文学艺术的表现。宗白华的研究肯定了"芙蓉出水"的美学理想,梳理了中国的两大传统美学理想,确立了魏晋南北朝美学思想在中国美学史上的地位。In his monographs On Shi Shuo Xin Yu and the Aesthetics of Jin People and Primary Explorations of Key Question in History of Chinese Aesthetics, Zong Baihua argues for the importance of the aesthetics of Wei, Jin and Northern Southern Dynasties. In his aesthetic systems, the supreme aesthetic ideal of that time is symbolized in ＂ lotus on clear water＂, which integrates inward concerns of human being himself and outward exploration of natural scenery and its expression in literature and arts. Zong Baihua＇s study affirms the aesthetic ideal of ＂ lotus on clear water＂, traces the two Chinese aesthetic traditions and establishes the position of aesthetics of Wei, Jin and Northern Southern Dynasties in the history of Chinese aesthetics.

关 键 词：宗白华 魏晋南北朝美学 芙蓉出水 

分 类 号：I206.2[文学—中国文学]