来自民间的解构力量——狂欢诗学视角下的《娜娜》  

The Deconstruction Power from the Folk: Nana from the Perspective of Carnival Poetic

作　　者：李依宸[1] 

机构地区：[1]安徽师范大学文学院,安徽芜湖241000

出　　处：《苏州教育学院学报》2015年第5期101-103,共3页Journal of Suzhou College of Education

摘　　要：巴赫金的狂欢诗学理论,主要包括狂欢式世界感受的两个方面,即平等自由的精神以及更新和更替的精神。左拉的小说《娜娜》展现了一个狂欢的时空,从狂欢诗学的视角观照《娜娜》,可以充分领略左拉以民间世界对抗和解构官方世界的意图,从而显示出《娜娜》所蕴含的强大的民间解构力量。Bakhtin＇s Carnival Poetic theory mainly involves two aspects of the carnival world feeling, namely the spirit of equality and liberty, and the spirit of renovation and replacement. Zola＇s novel Nana portrays the carnival time and space. A study of the novel from the perspective of Carnival Poetic can fully demonstrate Zola＇s purpose to confront and deconstruct the official world with the folk world, so as to reveal the strong deconstruction power from the folk that is contained in Nana.

关 键 词：《娜娜》 狂欢诗学 民间 官方 解构 

分 类 号：I565.074[文学—其他各国文学]