先锋主义视阈下新世纪乡土小说探微  

Rural Local Novel of the New Century under the Perspective of Avant-Gardism

作　　者：李明燊[1] 

机构地区：[1]中国民主同盟中央委员会群言杂志社,北京100006

出　　处：《南京师范大学文学院学报》2015年第4期91-98,共8页Journal of School of Chinese Language and Culture Nanjing Normal University

摘　　要：在新世纪乡土小说中,先锋主义叙事是其中的另类,其既不同于现实主义的针砭时弊,又不同于浪漫主义的诗情画意,亦与正统意义上的西方现代主义美学风格相异,它兼具多种审美形态的表征,从而形成了新世纪文学中一个独特的乡土叙事的向度。先锋主义书写具有较为复杂的叙事内容,历史与现实的交织,阳世与阴间的纠葛,人与动物角色的互换,在怪异与荒诞的叙事中,展现了灵魂的游离与历史的轮回。同时,新世纪乡土小说具有极其自由的叙事,取材广泛,边地的风俗、颓败的村庄、人间的苦难等,这些意象构成了其审美样态。Avant -gardist narrative is a unique type among the new century rural local novels. It is neither same as realist criticism, nor same as romantic poetic illusion, and it is also different from the aesthetic style of the orthodox Western Modernism. It mixes various aesthetic symbols and creates a special dimension of rural local narrative in the new century literature. The avant -gardist writing has a relatively complicated nar- rative which interweaves history with reality, connects this world with the nether world, switch between human beings and animals. It demonstrates the wondering and transmigrating of the spirit through weird and absurd narrations. At the same time, the new century rural local novel narration is flexible in adopting subjects. Remote regional custom, decadent structed its aesthetic form. rural villages, suffering in the human society, etc. , all of these images con-

关 键 词：新世纪 乡土小说 先锋主义 

分 类 号：I206.6[文学—中国文学]