从导演代际演进看改革开放30年来中国电影发展的得失  

Exploring the Successes and Failures of the Chinese Film in Three Decades since the Reform by Studying the Evolution of Different Director Generations

作　　者：峻冰[1] 

机构地区：[1]四川大学文学与新闻学院影视艺术系教授,四川成都610064

出　　处：《中华文化论坛》2015年第12期113-119,192,共7页Journal of Chinese Culture

摘　　要：改革开放三十年来,中国电影历经了顺从与反思、传承与批判、叛逆与回归等一系列变迭。在渐渐复苏、回归转型、蜚声国际、多元共生的文化表象链条上,不同代际的导演持续在世俗和神话之间徘徊、惶惑,在阐释、颂扬神话与消解、挑战神话之间往返奔走,在一次次尝试和找寻中被转型着的时代烙下色彩不同、深浅不一的印记。在这段曲折蜿蜒但异彩纷呈的艺术与文化之旅中,值得总结的经验和误区历历在目。而误区之因在整体和本质上则指向对电影艺术缺乏系统的把握上。After three decades of economic reform, Chinese film experienced compliance and reflection, inheritance and criticism, rebellion and return. On the symbiotic chain of gradually recovered, and returned to the transformation, became world-renowned and pluralism of cultural representation, different generations of director continued wondering,bewildering, interpreting, celebrating, digesting,and challenging between the secular and mythical, constantly attempting and looking forward,the era of transition bears different colors of the marks. During this long and winding, but the colorful journey of art and culture, we should review the experience and misunderstanding.And misunderstanding due to the lack of systemaic grasp of the film art systems.

关 键 词：改革开放 中国电影 世俗 神话 

分 类 号：J909.2[艺术—电影电视艺术]