河南省南阳市桐柏县月河一号春秋墓出土玉器阴刻技术的微痕分析  

作　　者：叶晓红[1] 刘新[1] 蒋宏杰 乔保同 

机构地区：[1]中国社会科学院考古研究所 [2]河南省南阳市文物考古研究所

出　　处：《南方文物》2015年第4期112-119,共8页Cultural Relics in Southern China

基　　金：中国社会科学院创新工程项目<中国文化遗产科学体系创新研究.古代玉器研究科学技术体系构建Ⅱ>和<现代分析技术在考古学中的应用.出土玉器研究>;国家自然科学基金课题(41302001)研究成果

摘　　要：本文主要介绍了桐柏月河一号春秋墓出土玉器阴刻技术的微痕研究情况。根据6件典型玉器所开展的阴刻纹饰的微痕观察,初步判断春秋晚期玉器阴刻工艺已成熟使用了添加解玉砂的旋转砣具技术。文章通过比较不同玉器阴刻工艺水平的细微差别,认为一号墓出土的春秋玉器并非由固定的玉工或玉作坊加工而成。此外,牙璋142可能为商代遗物。This article mainly introduces the present research situation of technology used to incise finefeatures on the jades from Yuehe tomb No.1（MI ） of Spring and Autumn Period found in Tongbai. Detailed moldswere made of the features on six typical jades selected tier examination by scanning electron microscopy. Ourobservations suggest that rotary incising wheels charged with abrasive （which is called Jieyu sand in ancientChina） were maturely used for working jades in the late Spring and Autumn Period. According to the subtledifferences of incising traces on the jades of Spring and Autumn Period,the jades maybe worked by differentjadeworkers or workshops. In addilion,yazhang 142 may be from Shang dynasty.

关 键 词：月河 春秋时期 玉器 阴刻技术 扫描电子显微镜 

分 类 号：K876.8[历史地理—考古学及博物馆学]