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作 者:Yu-Ju Lin Jun-Liang Chen Po-Hsien Lin
机构地区:[1]National Taiwan University of Arts, New Taipei City, Taiwan
出 处:《US-China Education Review(B)》2015年第12期806-818,共13页美中教育评论(B)
摘 要:Many unique traditional industries in Taiwan have declined over time. How to revive these fading craft cultures and retain the diversity of Taiwan's cultural assets is a critical research topic. Thus, when preserving valuable cultural resources through curatorial exhibitions is considered a feasible measure, approaches to curating effective exhibitions that elicit emotional responses from visitors is a crucial issue. This article explores the emotional effect of the curation process as well as the visitor experiences by investigating the "Lost Memories Redux--The Search for the 100 Lost Industries" exhibition as a case study. Through this case study, a curatorial model was established to explain how to effectively elicit emotional responses from exhibition visitors. Through semi-structured in-depth interviews and a literature review, this article presents an analysis of the curatorial practice model. Subsequently, the results of a questionnaire survey are analysed to explore the emotional differences between the curator and the visitors regarding their exhibition experience. The results show that the proposed curatorial model can effectively elicit emotional responses of the visitors and identify their preferences. Through effective curatorial design, the core theme of an exhibition can be transmitted to visitors, thereby raising their awareness of cultural conservation and reflection. Thus, the proposed curatorial model can enhance the visitor's acknowledgement according to their emotional responses to the exhibition. The results may serve as a reference for future studies.
关 键 词:CURATION LOCALISM cultural conservation cultural reflection
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