New Development of Chinese Literary Anthropology  

作　　者：HU Jian-sheng 

机构地区：[1]Shanghai Jiao Tong University, Shanghai, China

出　　处：《Journal of Literature and Art Studies》2015年第12期1168-1178,共11页文学与艺术研究（英文版）

摘　　要：Chinese literary anthropology, growing out of comparative literature and cross-cultural studies at the end of the 20th century, is a notably innovative research paradigm in contemporary Chinese humanities and enters a new stage at the beginning of the 21st century. Firstly, this essay attempts to interpret how Chinese literary anthropology responds accordingly to the new development of international anthropology and mythology, updates the postmodern concept of myth knowledge of Confucian myth and the pattern of the mythological knowledge, thereby constructing the core in modern Chinese context. Afterward, it discusses the differences between the great tradition and the little tradition, and the significance of returning to the sacred context. Last, the focus of archetypal criticism in the context of Chinese anthropology has moved from literary concerns to cultural concerns and employing the quadruple evidences and five kinds of narratives to comprehensively interpret Confucian classics.

关 键 词：Chinese literary anthropology Ye Shuxian post-modern concept of myth great tradition culturalarchetype research on Confucian mythology 

分 类 号：Q98[生物学—人类学] I206.7[文学—中国文学]