古代城市民间美术的审美价值取向  

Aesthetic Value-orientation of Folk Fine Arts in Ancient Cities

作　　者：丁耀[1] 

机构地区：[1]闽江学院中文系,福建福州350121

出　　处：《闽江学院学报》2015年第6期103-108,共6页Journal of Minjiang University

摘　　要：以商业属性为核心的古代市民文化,作为城市民间美术发展的催化剂和重要文化土壤,为我们全面理解和把握城市民间美术的审美价值取向提供了崭新的视角。在统治阶级文化、市民文化、乡土文化相互碰撞、交流、渗透的过程中,城市民间美术的创作主体和审美个体的文化素质在提高,价值观在变化,审美价值取向必然发生转变。这种转变主要体现在崇文尚雅、喜富慕贵、重娱尚趣、喜新逐异四个方面。As thecatalyst and important cultural soil for the development of folk fine arts in cities, ancient civic culture with commerciality as the core provides a brand-new perspective for us to compre- hensively comprehend and master the aesthetic value-orientation of folk fine arts in cities. Amid the mutualcollision, exchange and penetration of ruling class culture, civic culture and local culture, the cultural quality of creators and aesthetic individuals of folk fine arts in cities also increases. With the change of their values, their aesthetic value-orientation will be bound to transform. Such transformation mainly reflects in four respects： advocating civilization and elegance, preferring and adoring wealth and nobility,emphasizing recreation andupholding interest, preferring novelty and rejecting strangeness.

关 键 词：民间美术 市民文化 市民阶层 审美价值取向 

分 类 号：J528[艺术—艺术设计]