诗歌中的“面具”美学——以宇文所安对晚唐诗人李商隐的解读为例  

“Mask” Aesthetics of Poetry——A Interp. retation about Late Tang Poet Li Shangyin of Step. hen Owen

作　　者：殷晓燕[1] 万平[1] 

机构地区：[1]成都大学文学与新闻传播学院,四川成都610106

出　　处：《北方论丛》2015年第6期33-38,共6页The Northern Forum

基　　金：教育部人文社会科学研究项目"中国文学经典研究的西方视野转换"(10XJC751008);国家社会科学基金项目"西方汉学家的中国传统女性文学与经典化研究"(13XWW001)

摘　　要：诗歌主要是表达诗人思想、抱负、志趣的文体,侧重于表述内在心声。但文学中呈现出的"声音"却是非常复杂的,未必是作者本人的真实声音,有时是寄托的声音,美国汉学家孙康宜把这种仿若戴着"面具"不以真实面貌示人的文学现象称为"面具"美学。晚唐诗人李商隐受党派之争牵连,政治上徘徊彷徨表现,在诗歌中欲言又止、隐喻深婉,内在心声隐藏在"面具"之下,反而成就了诗歌含蓄蕴藉之旨、神秘朦胧之韵。Poetry mainly exp. resses the poet＇ s thought,aspiration,inclination,focusing on the representation inner voice.But literature showing a＂voice＂is very comp. licated and may not be the true voice of the author,and sometimes it is the sound of sustenance. American sinologist Kang-I Sun Chang put this are like wearing a＂mask＂not to show his true face literary p. henomenon known as the＂mask＂aesthetics. The Late Tang p. oet Li Shangyin was implicated by partisanship.,political hovering hesitantly anxious exp. ression in poetry,metap. horical and eup. hemistic. The inner voice is hidden under the ＂mask＂,but the achievement of poetry p. urp. ose of imp. licit and mysterious rhyme haze.

关 键 词：诗歌 面具 美学 李商隐 

分 类 号：I207.22[文学—中国文学]