巴渝竹枝词的雅俗文化互动研究  

A Study of the Interaction between the Vulgarity of Zhuzhi Folk Songs and the Elegance of Zhuzhi Poems

作　　者：范明英[1] 

机构地区：[1]重庆科技学院人文艺术学院,重庆401331

出　　处：《海南师范大学学报（社会科学版）》2015年第11期79-83,共5页Journal of Hainan Normal University(Social Sciences)

基　　金：2013年度重庆市社会科学规划项目"巴渝竹枝词雅俗文化嬗变及互动研究"(项目编号:2013YBWX092);重庆科技学院2014重点项目培育基金"巴渝竹枝词的文化研究"(项目编号:CK2014Z04)

摘　　要：竹枝歌是源于巴渝一带的俚歌野唱,亦称"巴渝竹枝"。中唐以降,文人参与竹枝仿写和创作,通过对民歌音韵的革新性传承与弱化、民间语言的文学性仿摹与改造、民俗主题的功能性延展与升华等,使巴渝竹枝由俗趋雅发展为文人竹枝词。文人竹枝词既保留民间竹枝歌古拙率性的特点,又兼以文人创作的清新雅丽,自成一体。民间竹枝歌与文人竹枝词的雅俗互动,终至缘于巴渝民间竹枝歌的文人竹枝词蔚为大观。Zhuzhi songs are folk songs originated in Bayu area,also known as ＂ Bayu Zhuzhi folk songs＂.Since the mid-Tang Dynasty,thanks to many scholars＇ imitation,reproduction or creation,the vulgar Zhuzhi folk songs had became elegant in terms of their phonological rhythm,language style,theme,etc,thus having been upgraded as Zhuzhi poems. Moreover,the Zhuzhi poem has retained the simplicity and unconstraint of folk songs.As a result of the interaction between the vulgarity of folk songs and the elegance of poem,zhuzhi poem has presented a splendid sight as a literature type.

关 键 词：巴渝竹枝歌 文人竹枝词 民俗 雅化 

分 类 号：I222.8[文学—中国文学]