当代花鸟画的写生观及其形态阶段简论  

Contemporary Sketch Conception about Flower-and-Bird Painting and the Brief Discussion of Its Development Stages

作　　者：王希[1] 刘新华[1] 

机构地区：[1]天津大学建筑学院,天津300072

出　　处：《天津大学学报（社会科学版）》2015年第6期562-567,共6页Journal of Tianjin University：Social Sciences

摘　　要：针对当代关于写生观通识概念的偏见解读,进行了深入中国传统语境的追根溯源,对中国画传统的写生观在当代的传承与发展进行了剖析与核心精神上的把握,并以中国花鸟画为例,将当代的写生形态分为3个阶段进行阐述,并提出不同阶段的境界初论。In view of the contemporary prejudice interpretations of sketch,this thesis traces the origin of traditional Chinese contexts,so as to make a deep analysis on Chinese paintings＇ traditional sketch conception as well as grasp its core spirits.Concrete to Chinese flower-and-bird painting,the thesis puts forward the brief discussion about the three different development stages of contemporary sketch and its theory of state.

关 键 词：写生观 阶段 核心精神 创作 

分 类 号：J21[艺术—美术]