鲁迅与左翼乡土小说中的看客形象比照研究  

The Analysis of Onlooker Images in Lu Hsun's Novels and Leftist Local Novels

作　　者：田丰[1] 

机构地区：[1]山东大学文学与新闻传播学院,山东济南250100

出　　处：《济南大学学报（社会科学版）》2015年第6期38-44,89,共7页Journal of University of Jinan:Social Science Edition

摘　　要："看客"形象已经成为中国文学人物画廊中一个不可或缺的重要组成部分,对于之后的文学创作也产生了重大而深远的影响。在鲁迅影响、指导和帮助下成长起来的左翼乡土小说作家在延续鲁迅"看客"形象的基础上又有所拓展和推进,从而展现出别样的风貌。左翼乡土小说作家在塑造看客形象时,既有意识地从鲁迅为代表的五四乡土小说作家身上汲取养分,同时也依据自己的阶级立场和时代语境变换而有所调整,从而使得看客形象更趋繁复和深化,在给读者带来新鲜体验和感受的同时,也使看客形象得以传达出阶级斗争和时代变幻的讯息。Onlooker images have become an indispensable part of the portraits in Chinese literature and as a result produce a significant and far-reaching impact on later literary creation. Under the influence and guidance of Lu Hsun,Leftist writers not only carried on the onlooker images in their novels,but also further developed them.Besides consciously drawing nutrients from Lu Hsun's novels,they adjusted onlooker images based on their class stand and times context,so they created more complicated and deepened onlooker images which brought new experiences and feelings for readers,and revealed the message of class struggle and times change as well.

关 键 词：看客形象 左翼乡土小说 鲁迅 阶级视阈 

分 类 号：I207.4[文学—中国文学]