浅析后现代背景下的中英服装设计思路——以维维安·韦斯特伍德和马可为例  

A BRIEF ANALYSIS OF THE THINKING OF COSTUME DESIGN IN CHINA AND BRITAIN IN THE POST MODERN CONTEXT——TAKING VIVIAN WESTWOOD AND MAKE AS THE EXAMPLES

作　　者：徐少飞[1] 王德庆[1] 

机构地区：[1]北京服装学院

出　　处：《设计》2015年第23期83-85,共3页Design

基　　金：北京市教委"中英服装设计师培养机制比较研究"项目论文;项目编号:SM201510012003

摘　　要：后现代主义作为一个宽泛而又有争议的语汇已经流行了半个多世纪，它是历史的必然，是社会文明发展到一定阶段的产物，也是艺术的反思。在后现代主义的浪潮下，无论是英国还是中国在服装设计方面都在思考如何走出一条更适合自己国情的道路。本文以英国后现代时期最著名的设计师——“朋克教母”维维安韦斯特伍德和中国当下最具国际知名度的本土设计师马可为例，分析后现代背景下中国韧英国在服装设计思路上的探索。As a broad and controversial vocabulary, Postmodernism has been popular for more than half a century, which has been regarded as the inevitable fruit of history and the production of the development of social civilization as well as the reflection of art. In the tide of Postmodernism, dress designers both in England and China are thinking about how to find a better way suited to their own national conditions. The purpose of this paper is to analysis the exploration of clothing design in Chinese and England under the background of post-modern by choosing two example designers： one is the most famous designer in British in post-modern era--Vivian Westwood, who is known as the ＂punk＂ godmother; the other one is the most well-known local designer in China nowadays.

关 键 词：后现代主义 中英服装设计 马可 维维安·韦斯特伍德 

分 类 号：TS941.2[轻工技术与工程—服装设计与工程]