汤显祖的《牡丹亭》与唐诗  

Relationship between Tang Xianzu's Play of The Peony Pavilion and the Poetry of Tang Dynasty

作　　者：周衡[1] 

机构地区：[1]江苏大学文法学院,江苏镇江212013

出　　处：《武汉理工大学学报（社会科学版）》2015年第6期1223-1227,共5页Journal of Wuhan University of Technology:Social Sciences Edition

基　　金：2009年江苏省社会科学基金项目(09YSC008)

摘　　要：汤显祖的《牡丹亭》在其上场诗和下场诗中大量使用集唐诗,又在其曲辞、宾白中广泛化用唐诗。唐诗的使用使《牡丹亭》语言趋于典雅清丽,戏剧风格更具文人化气质,同时,其集唐诗在唐诗异文辨正上有校勘价值。汤显祖使用唐诗一方面是受其取法唐诗、追求文学个性的诗学观影响,另一方面也是其具体诗歌实践的必然结果。＂The Peony Pavilion＂ of Tang Xianzu showed extensive use of the set of the Tang Dynasty in play poetry and end poem, as well as in song speech. The Tang poetry used to make ＂Peony Pavilion＂ elegant in language with more literary temperament in style. At the same time, the collation value set TanKs poetry different. On the one hand, TanKs poetry was influenced by its emulation of Tang poetry, and the pursuit of literary personality. On the other hand, it was the inevitable result of his poetry writing practice.

关 键 词：汤显祖 牡丹亭 唐诗 

分 类 号：I207.3[文学—中国文学] I207.22