唐代诗人对《风》《骚》语典接受之管窥  

On Poets' Acceptance of Idioms Contained in“Feng”and “Sao”in Tang Dynasty

作　　者：李金坤[1] 

机构地区：[1]江苏大学,江苏镇江213200

出　　处：《阅江学刊》2015年第6期111-119,共9页Yuejiang Academic Journal

基　　金：国家社会科学基金后期资助项目"风骚诗脉与唐诗精神"(13FZW010)

摘　　要：唐代诗人熟谙《风》《骚》中的词语、语句及典故,在诗歌创作过程中常加引用,成为诗歌的有机组成部分。唐代诗人在引用《诗经》"飞蓬""黍离""甘棠"与《楚辞》"摇落""惆怅""木叶"等语典时,既保存了它们的本质意义,又渗入了时代色彩与作者的人生况味,创造了旧典新用、化人为己的审美境界。Idioms statements and stories in ＂Feng＂and ＂Sao＂known by poets in Tang dynasty had been usually components of poems created by poets,which contributes greatly to the literature history. Almost all the Tang poets were cultivated by ＂feng＂and ＂Sao＂,idioms contained in the classics could be more or less found in their own poems. Idioms as ＂Canadensis＂,＂millet＂and,＂shake off＂,＂melancholy＂,＂leaf＂and others save their essence meaning,they are infiltrated the era of color and author of life to enrich the connotation of poetry,and enhance the artistic charm,creating a new tradition with the aesthetic realm.

关 键 词：唐代诗人 风骚语典 接受审美 

分 类 号：I207.22[文学—中国文学]