黑人女性身份的重构——后殖民女性主义视域中的《他们眼望上苍》  

The Reconstruction of Black Female Identity:Their Eyes Were Watching God from the Perspective of Postcolonial Feminism

作　　者：王静[1] 曹永俐[1] 赵羽[1] 何军侠[1] 

机构地区：[1]南京工程学院外国语学院,江苏南京211167

出　　处：《南京工程学院学报（社会科学版）》2015年第4期49-53,共5页Journal of Nanjing Institute of Technology：Social Science Edition

基　　金：江苏省高校哲学社会科学基金项目(2015SJD179)

摘　　要：《他们眼望上苍》是美国黑人女作家佐拉·尼尔·赫斯顿的代表作,小说通过黑白混血女主人公珍妮经历三次婚姻逐渐走向成熟过程的描述,反映了美国非裔女性身份的困惑和重构等问题。运用后殖民女性主义理论中的身份观点对黑人女性主体性丧失的原因、表现及主体性重构进行了分析,揭示了"合法婚姻"外衣之下黑人女性身份"他者化"的事实,以期为黑人女性如何摆脱压迫现状指明出路。Their Eyes Were Watching God is one of the representatives of the Afro-American woman writer Zora Neale Hurston. It reflects such problems as confusion and reconstruction of African American female identity by depicting the process, in which the mulatto heroine Jane grows into maturity after three marriages. This essay examines the loss of black females＇ subjectivity with respect to the causes, manifestation and reconstruction, from the perspective of identity of postcolonial feminism. It also reveals the fact that black female identities are compelled to be ＂the otherness＂ under the cloak of legal marriage. This essay aims to cast light on the way for black females to escape oppression

关 键 词：后殖民女性主义 黑人 女性 身份 他者 

分 类 号：I106.4[文学—世界文学]