论刘勰《养气》篇的“文气”观  

On Liu Xie' s View of “Wen Qi” Conveyed in His Article “Yang Qi”

作　　者：刘涛[1] 

机构地区：[1]湘潭大学文学与新闻学院,湖南湘潭411105

出　　处：《南京工程学院学报（社会科学版）》2015年第4期63-68,共6页Journal of Nanjing Institute of Technology：Social Science Edition

摘　　要："文气"论在中国古代文论史中占据重要地位。刘勰《养气篇》的"文气"观的本质内涵丰富,它既指作家的生理、天赋和才能,又指作家创作时的精神状态、心理因素。这一"文气"见解蕴含了内向性和委和性两大突出的审美特征,阐述了滋养作家之"气"和作品之"气",以及保持自由、自然和和谐的创作心境的重要性。它关注和重视创作主体的审美意识和精神,不仅对文艺创作活动有重要的指导性作用,还对现代作家创作理论和自身价值建构有借鉴性意义和价值。The theory of ＂Wen Qi＂ played an important part in the history of Chinese ancient literary theory. Expounded in his article ＂Yang Qi＂ （ cultivating qi, literally）, Liu Xie＇ s view on ＂Wen Qi＂ has wide connotations, not only signifying a writer＇ s physical conditions, talent and ability, but also his/her mental state and psychological factors when he/she is writing. The view is characterized by two aesthetic features, i.e., introversion and commission, which stress the importance of cultivating writers＇ and works＇ ＂qi＂. In so doing, a writer can have a free, natural and harmonious composition mood. According to this view, a writer＇ s aesthetic sense and spirit are underlined, which is instructive for creation of arts and literature, as well as for contemporary writing theories and writers＇ value construction.

关 键 词：刘勰 “文气” 内涵 特征 意义 

分 类 号：I206.2[文学—中国文学]