毛南傩戏的戏剧艺术探微  

An Elementary Study of the Maonan Nuo Opera Dramatic Art

作　　者：谭为宜[1] 

机构地区：[1]河池学院文学与传媒学院,广西宜州546300

出　　处：《河池学院学报》2015年第6期36-40,共5页Journal of Hechi University

基　　金：广西高等学校立项科研项目"桂西北地方戏剧艺术内涵与发展路径研究"(201204LX405)

摘　　要：从戏剧艺术角度考察长演不衰的毛南族傩戏有如下特征:一、戏剧的程式化与幕表戏特征;二、神秘元素的陌生化效应;三、与现实紧密结合的戏剧内容;四、"第四堵墙"的虚无化带来的亲和。毛南傩戏从它的受众和艺术环境中获得了生存、发展的力量,但在多元文化变革的今天,也应该与时俱进,寻求突破。Investigated from the perspective of art, the main cause of the flourish of Maonan Nuo Opera is that it has the following characteritics. First, the drama stylization and characteristic of screen play; Second, the defamiliarization effect of mystical elements ; Third, the dramatic content connecting closely with reality ; Fourth, the appetency from the nihilism of ＂the fourth wall＂. Because of growing up out of the soil, the Maonan Nuo opera gets power of survival and development from its audience and artistic environment. But in this age, muhicuhure is reforming, the Maonan Nuo opera should be keeping pace with times and seeking a breakthrough.

关 键 词：毛南傩戏 戏剧艺术 程式化 陌生化 第四堵墙 

分 类 号：I236[文学—中国文学]