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作 者:毕海[1]
机构地区:[1]中央民族大学文学与新闻传播学院,北京100081
出 处:《海南师范大学学报(社会科学版)》2015年第12期26-31,共6页Journal of Hainan Normal University(Social Sciences)
基 金:国家社会科学基金一般项目"‘50-70年代文学’与‘新时期文学’之关联研究"(项目编号:08BZW057);中央高校基本科研业务费专项资金资助项目"中国当代文学之‘民族形式’研究"(项目编号:2014MDWCXYQN04)
摘 要:有关中国当代文学制度的研究近年来成为学界热点,但大多数研究停留在对50—70年代或80年代具体历史时期文学制度的分析,对文学制度的历史沿革缺乏充分的考察。中国当代文学出版制度是中国当代文学生成的基础。新中国成立之初,依据执政党的战略选择,文学出版由民办走向国营,由分散走向统一,处在国家政治的全面掌控之下。新时期以后,伴随着发行体制的转轨,地方出版地位的提升,文学出版从以生产为本位的计划机制向以消费为重心的市场机制转变。"50—70年代文学"和"新时期文学"的出版制度有着巨大的差异,但两个时期的文学出版制度又存在无法分割的联系性。While studies on the contemporary Chinese literary system has become a hot topic of the academic circles in recent years,most of the studies have confined themselves to an analysis of the literary system in the1950s- 70 s or 1980 s without any due consideration of the historical evolution of the literary system. As the contemporary Chinese publication system is a basis for the generation of contemporary Chinese literature,the literary publishing industry underwent its transition from a private enterprise to state-owned one and the transformation from decentralization to centralization in line with the strategic choice of the ruling Party in the early days of P. R. China,thus being in the complete control of state politics. Since the new era,with the transformation of the distribution system and the rise in the status of local publishing enterprises,the literary publishing industry has made the transition from the production-oriented planning system to the consumption-oriented market system. While huge differences exist between the publication systems for "literature in the 1950s- 70s"and "literature of the new era",there are still some indivisible links between them.
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