宋代说唱伎艺的互为渗透  

The Mutual Infiltration of Talking-singing Arts and Opera in the Song Dynasty

作　　者：赵兴勤[1] 

机构地区：[1]江苏师范大学文学院

出　　处：《中原文化研究》2016年第1期89-97,共9页The Central Plains Culture Research

基　　金：国家社会科学基金后期资助项目"中国早期戏曲生成史论"(11FZW004);江苏省高校优势学科建设工程资助项目(PAPD)阶段性成果

摘　　要：宋代除歌舞、百戏外,各种说唱伎艺应运而生,主要包括演唱伎艺和说话艺术。演唱伎艺的门类有嘌唱、唱赚、鼓子词、诸宫调、大曲等,说话艺术随着城市商业经济的发展而日趋繁荣。宋代说话艺人队伍的组成,呈现出多元化的趋势:一是女性参与说话艺人的表演,既反映了当时伎艺传播环境的宽松,又为话本多层面地反映社会生活提供了有利条件;二是市井细民的广泛参与,活跃并丰富了说话伎艺的传播市场;三是文人参与其中,提升了民间艺术的文化品位;四是说话艺术的勃兴,说话内容的丰富多彩。说话艺人所编创的大量故事为戏剧的搬演提供了素材,而戏剧中的一些手段也被说话艺人吸收、借鉴到表演中,两者之间的互为渗透,犹如催化剂一般,刺激着戏曲的发展。In addition to the singing, dancing,and acrobatics in the Song Dynasty, all kinds of talking-singing Arts arose at the historic moment, mainly including the song ci-poetry arts and talking. Telling-story art was increasingly prosperous with the development of urban commercial economy. The composition of storytellers~ team in the Song Dynasty also showed the trend of diversification： Firstly, the women joined the performance,it reflected the relaxed dissemination environment, and alsoprovided more favorable conditions for the storytelling scripts to reflect social life; Secondly,the widespread participation of urban people activated and enriched the spread of talking art market; Thirdly, the literati＇s involvement improved the cultural levels of the folk art; Fourthly,the boom of the talking art, rich and colorful talking contents and the lots of stories created and compiled by talking artists, provided materials for drama plays, and some means in the dramas were also absorbed by the story-tellers, and learned by their performances, the mutual infiltration between the two, like catalyst, stimulated the development of the traditional operas.

关 键 词：宋代 说唱伎艺 互为渗透 

分 类 号：I239[文学—中国文学]