从“阿尺木刮”、“迁哦”、“哇其其”看傈僳族舞蹈的审美形态  

The Aesthstic Forms of Lisu Ethnic Dance

作　　者：白靖毅[1] 

机构地区：[1]北京舞蹈学院艺术设计系,北京100081

出　　处：《北京舞蹈学院学报》2015年第6期48-52,共5页Journal of Beijing Dance Academy

摘　　要：本文以云南傈僳民间舞蹈"阿尺木刮"、"哇其其"、"迁哦"为例,试图从美学的角度揭示傈僳族舞蹈的独特魅力:"阿尺木刮"模拟山羊的体态跳舞,体现了在传统农耕文化中,傈僳族对自身和社会的观照;"迁哦"在梦想与现实的浪漫中,折射出粗犷的傈僳人民细腻的一面;从"哇其其"遗存的原始痕迹中,我们可以由现实的舞蹈追溯,一窥原始舞蹈的风貌。This paper reveals the uniqueness of Lisu dance,the folk art form of Yunnan in the perspective of aesthetics,using the examples of Achimugua,Waqiqi and Qian-o dances. Achimugua dance imitates the posture of goat,reflecting the social and daily life of the ethnic group of Lisu. Qian-o dance lingers between illusion and reality,showing the delicacy of Lisu people. Meanwhile,the paper discovers the origin of Lisu dance from the relics of Waqiqi dance.

关 键 词：傈僳族舞蹈 “阿尺木刮” “哇其其” “迁哦” 

分 类 号：J722.22[艺术—舞蹈]